“...this will be one of the best and most accomplished albums you’ll hear this year.”
EVER-METAL.COM, Beth Morait - 10/10 (!) Points
“...the Swedish hard rock/heavy metal lords are back with an excellent full-length!”
METAL-TEMPLE.COM, “Metal Mark” Garcia - 10/10 (!) Points
“Robust modern hard rock without any proper failures.”
POWERMETAL.DE, Chris Staubach - 9,5/10 Points
“This is a classic example of how to take your time to create something epic.”
METALTALK.NET, Paul Hutchings
“If you like hard rock out of the mainstream, this is for you.
One my best discoveries of 2025 in this still young year.”
DARK-ART.COM, Andrea
Highly praised by specified press around the globe, Swedish masters DAYS OF JUPITER’s much-awaited fifth album “The World Was Never Enough” has been released through RPM today. Fans can order/stream the album now, here: https://daysofjupiter.rpm.link/twwne
Besides delivering captivating hard rock/metal tunes over and over again, the group are also known for capturing the essence of their art in the form of well-crafted music videos, mostly directed by long-time partner Andreas Lundin (Litbox Productions) - and the visualisation of the record’s title track is no exception: kept in blue shades, ‘The World Was Never Enough’ matches the thought-provoking atmosphere surrounding the whole album.
“Get ready to be captivated and energised by a powerful, heavy and tough hard rock/metal song with enchanting melodies and a catchy and haunting hook. Featuring lyrics which dive into a story with a spy and 007-like feeling to it, it’s a story about two people on the run who have a bond that is stronger and bigger than this world could ever offer,” lyricist Robert Hilli reveals.
Watch the music video: https://youtu.be/Vge6d2eR8hg
On “The World Was Never Enough,” DAYS OF JUPITER’s first album in almost seven years, pure energy blends with raw rock ‘n’ roll spirit, resulting in a soundtrack for rebels and outsiders. Also made to spread the word of DOJ in new territories, the album consists of 10 excitingly varied tracks. It was recorded at Sweden’s Orange Monkey Studio, where the band locked themselves for quite a while, directed by mixing/mastering engineer Peo Hedin and Robert Hilli, who also took care of photography duties for the new campaign, to record the follow-up to “Panoptical” [2018]. Brilliantly summarising the essence of the record, the band hired Zark Metal Artwork to design the “TWWNE” cover which layout was fine worked by Jenny Pettersson.
